is there anyone out there with a nyt cooking subscription
will they send me the chamomile tea cake with strawberry icing recipe
This buttery, chamomile tea-scented loaf is a sweet pop symphony, the Abba of cakes. A pot of flowery, just-brewed chamomile isn’t required for drinking with slices of this tender loaf but is strongly recommended. In life and in food, you always need balance: A sip or two of the grassy, herbal tea between bites of this cake counters the sweetness, as do freeze-dried strawberries, which lend tartness and a naturally pink hue to the lemony glaze. This everyday loaf will keep on the counter for 3 to 4 days; be sure the cut side is always well wrapped.
Ingredients Yield: One 9-inch loaf
½ cup/115 grams unsalted butter 2 tablespoons/6 grams chamomile tea (from 4 to 6 tea bags), crushed fine if coarse 1 cup/240 milliliters whole milk Nonstick cooking spray 1 cup/200 grams granulated sugar ½ teaspoon coarse kosher salt 2 large eggs 1 large lemon 2 teaspoons baking powder 1 teaspoon pure vanilla extract 1½ cups/192 grams all-purpose flour 1 cup/124 grams confectioners’ sugar ½ cup/8 grams freeze-dried strawberries
Preparation
Step 1
In a small saucepan, melt the butter over medium heat. Add 1 tablespoon chamomile to a large mixing bowl. Pour the hot melted butter over the chamomile and stir. Set aside to steep and cool completely, about 1 hour. Step 2
Use the same saucepan (without washing it out) to bring the milk to a simmer over medium-high heat, keeping watch so it doesn’t boil over. Remove from the heat, and stir the remaining 1 tablespoon chamomile into the hot milk. Set aside to steep and cool completely, about 1 hour. Step 3
Heat oven to 350 degrees. Grease a 9-by-5-inch loaf pan with the nonstick cooking spray and line with parchment paper so the long sides of the pan have a couple of inches of overhang to make lifting the finished cake out easier. Step 4
Add the sugar and salt to the bowl with the butter, and whisk until smooth and thick, about 1 minute. Add the eggs, 1 at a time, vigorously whisking to combine after each addition. Zest the lemon into the bowl; add the baking powder and vanilla, and whisk until incorporated. Add the flour and stream in the milk mixture while whisking continuously until no streaks of flour remain. Step 5
Transfer the batter to the prepared pan and bake until a skewer or cake tester inserted in the center comes out clean (a few crumbs are OK, but you should see no wet batter), 40 to 45 minutes. Cool in the pan on a rack for 30 minutes. Step 6
While the cake cools, make the icing: Into a medium bowl, squeeze 2 tablespoons juice from the zested lemon, then add the confectioners’ sugar. Place the dehydrated strawberries in a fine-mesh sieve set over the bowl and, using your fingers, crush the brittle berries and press the red-pink powder through the sieve and into the sugar. (The more you do this, the redder your icing will be.) Whisk until smooth. Step 7
If needed, run a knife along the edges of the cake to release it from the pan. Holding the 2 sides of overhanging parchment, lift the cake out and place it on a plate, cake stand or cutting board. Discard the parchment. Pour the icing over the cake, using a spoon to push the icing to the edges of the cake to encourage the icing to drip down the sides dramatically. Cool the cake completely and let the icing set.
hey netizens! i’m not sure how many people are aware, but youtube’s been slowly rolling out a new anti-adblock policy that can’t be bypassed with the usual software like uBlock Origin and Pi-Hole out of the gate
BUT, if you’re a uBlock Origin user (or use an adblocker with a similar cosmetics modifier), you can add these commands in the uBlock dashboard (under My Filters) to get rid of it!
Prison, generally. Though not just formal walls of physical prisons, but also captivity, carcerality, and carceral thinking. Including migrant detention facilities; national border fences; indentured servitude; labor coerced through debt; privatization and enclosure of land; categories of “criminality"; etc.
In favor of other, better lives and futures.
Specifically, I am grateful to have learned from the work of these people:
Ruth Wilson Gilmore on “abolition geography”.
Katherine McKittrick on imaginative geographies; emotional engagement with place/landscape; legacy of imperialism/slavery in conceptions of physical space and in devaluation of other-than-human lifeforms; escaping enclosure; a billion Black Anthropocenes; plantation “afterlives” and how plantation logics continue to thrive in contemporary structures/institutions like cities, prisons, etc.; a “range of rebellions” through collaborative acts, refusal of the dominant order, and subversion through joy and autonomy.
Macarena Gomez-Barris on landscapes as“sacrifice zones”; place-making and ecological consciousness; and how “the enclosure, the plantation, the ship, and the prison” are analogous spaces of captivity.
Liat Ben-Moshe on disability; informal institutionalization and incarceration of disabled people through physical limitation; and letting go “of hegemonic knowledge of crime”.
Achille Mbembe on co-existence and care; respect for other-than-human lifeforms; “necropolitics” and bare life/death; African cosmologies; historical evolution of chattel slavery into contemporary institutions through control over food, space, and definitions of life/land; the “explicit kinship between plantation slavery, colonial predation, and contemporary resource extraction” and modern institutions.
Robin Maynard on"generative refusal"; solidarity; shared experiences among homeless, incarcerated, disabled, Indigenous, Black communities; to “build community with” those who you are told to disregard in order “to re-imagine” worlds.
Leniqueca Welcome on Caribbean world-making; “the apocalyptic temporality” of environmental disasters and the colonial denial of possible “revolutionary futures”; limits of reformism; “infrastructures of liberation at the end of the world.”; “abolition is a practice oriented toward the full realization of decolonization, postnationalism, decarceration, and environmental sustainability.”
Stefano Harney and Fred Moten on “the undercommons” and sharing of knowledge.
Ann Laura Stoler on “imperial debris”; colonial nostalgia, and living in the aftermath.
AM Kanngieser on “deep listening”; “refusal as pedagogy”; and “attunement and attentiveness” in the face of “incomprehensible” and immense “loss of people and ecologies to capitalist brutalities”.
Ariella Aisha Azoulay on “rehearsals with others’.
Alison Mountz on migrant detention and the “death of asylum”.
Pedro Neves Marques on “one planet with many worlds inside it”; “parallel futures” of Indigenous, Black, disenfranchised communities/cosmologies; and how imperial/nationalist institutions try to foreclose or prevent other possible futures by purposely obscuring or destroying histories, cosmologies, etc.
Iain Chambers on racism of borders; obscured and/or forgotten lives of migrants; and disrupting modernity.
Paulo Tavares on colonial architecture; nationalist myth-making; and erasure of histories of Indigenous dispossession.
Elizabeth Povinelli on “geontopower”; imperial control over “life and death”; how imperial/nationalist formalization of private landownership and commodities relies on rigid definitions of dynamic ecosystems.
Kodwo Eshun on African cosmologies and futures; “the colonial present”; and imperialist/nationalist use of “preemptive” and “predictive” power to control the official storytelling/narrative of history and to destroy alternatives.
Tim Edensor on urban “ghosts” and “industrial ruins”; searching for the “gaps” and “silences” in the official narratives of nations/institutions, to pay attention to the histories, voices, lives obscured in formal accounts.
Megan Ybarra on place-making; “site fights”; solidarity and defiance of migrant detention; and geography of abolition/incarceration.
Sophie Sapp Moore on resistance, marronage, and “forms of counterplantation life”; “plantation afterlives” and “plantation worlds” which continue to live in contemporary industrial resource extraction and dispossession.
Deborah Cowen on “infrastructures of empire and resistance”; imperial/nationalist control of place/space; spaces of criminality and “making a life at the edge” of the law; “fugitive infrastructures”.
Dixa Ramirez D’Oleo on “remaining open to the gifts of the nonhuman” ecosystems; hinterlands and peripheries of empires; attentiveness to hidden landscapes/histories; defying surveillance; and building a world of mutually-flourishing companions.
Avery Gordon on haunting; spectrality; the “death sentence” of being deemed “social waste” and“without future”; “living apart” by striking, squatting, resisting; cultivating “the many-headed hydra of the revolutionary Black Atlantic”; alternative, utopian, subjugated worldviews.
Leanne Betasamosake Simpson on reciprocity; Indigenous pedagogy; abolitionism in Canada; camaraderie; solidarity; and “life-affirming” environmental relationships.
Sylvia Wynter on the “plot”; resisting the plantation; “plantation archipelagos”; and the “revolutionary demand for happiness”.
Pelin Tan on “exiled foods”; food sovereignty; building affirmative care networks in the face of detention, forced migration, and exile; connections between military rule, surveillance, industrial monocrop agriculture, and resource extraction; the “entanglement of solidarity” and ethics of feeding each other.
Jasbir Puar on disability; debilitation; how the control of fences, borders, and time management constitute conditions of de facto imprisonment; how debt and chronic illness doom us to a “slow death”.
Kanwal Hameed and Katie Natanel on liberation pedagogy; sharing of knowledge; anticolonial feminisms; and “spaces of solidarity, revolt, retreat, and release”.
After months of research and development and market testing and perfecting the first item I feel confident selling online, I have realized… that it is an incredibly niche item that only a specific subset of absolute nerds would want to buy, and I will have to do a ton of explaining the basic idea over and over again before people generally get what it is I’m even selling. RIP me
Long story short: I’m selling embroidery patterns. You stick them on fabric, embroider them, and wash the pattern away to leave your embroidery shining in solitary splendour.
It’s on Libby, it’s on Overdrive, it comes as an audiobook. If your local library doesn’t have it on either, Overdrive has an option to request that your library buy it. If you’d rather buy a physical book, it’s like $7 for a used copy.
It’s short. It’s in plain, nontechnical language. It’s as easy to read as informative tumblr posts, but it will teach you more than a hundred well written tumblr posts. And it’s actually accurate, fact checked and sourced.
If you can scroll social justice posts on here on your phone, you can read a page or two of this at a time on your phone or ereader.
If you can listen to a podcast, you can listen to this.
It’s more important than ever to be politically informed and this one short book is so easy and such a good place to start.
OPEN CULTURE has collected links for about 1,150 free movies (in A-Z order) available to watch online: world cinema, classics, indies, noir, westerns etc.
We toss out over 80 pounds of textiles each year. These textiles are often made of plastic materials (polyester, nylon), made in unethical conditions, dyed with harsh dyes that often get put into the rivers, etc. Even a single cotton shirt releases carbon emissions and uses tons of water.
So the best thing to prevent the unsustainable growth of the fashion industry is to make sure that your clothing lasts as long as possible. To do so, mending clothing is a must. So here are some resources to help you learn how to do various things, such as sewing a button, to tailoring clothes, or even upcycling old clothing into new styles.
These are just a few of the things that you can do in order to make sure that your clothing lasts for a long time. Nobody wants to keep buying new clothing, as it is expensive and wasteful.
So making alterations to your clothing, or fixing small holes hen you see them can be hugely beneficial to your wallet, to garment workers, and to the environment in the long term.
They got pretty much everything!! Vintage maps, mushrooms, flowers, trees, bugs, birds, corals, fish, palm trees, feathers, tropical fruits, you name it!!
They even got some works of my dude Ernst Haeckel on there!!!!
I could go on and on but I suggest you check it out yourself. Personally, I will be covering my entire apartment with these once copyshops are open again. But even if you don’t want to do that, just browsing all these beautiful illustrations is a great way to spend your time.
anyways, instead of focusing all your energy on calling out Succession and the Last of Us for being anti-palestinian, here’s some of my favourite media made by Palestinians 🇵🇸 and their allies…
Salt of this Sea (2008). Dir. Annemarie Jacir. Heist film set in Palestine about 2 Palestinians who help a Palestinian American woman rob a British bank who refused to give her the money her grandfather left her.
Netflix original series, Mo, created by Mo Amer. Dramedy about Mo, a Palestinian American without papers, trying to stay out of trouble until his US citizenship is approved (he’s already been waiting for 12 years). This just got renewed for a second season!!!!
Farha (2021). Dir. Darin J. Sallam. Coming of age story about a 14 year old girl trying to survive the Nakba in 1948. Tw: settler colonial violence.
In Between (2016). Dir. Maysaloun Hamoud. A film about 3 Palestinian women, one of whom is queer, in their 20s living under occupation. Heart-warming story about friendship, solidarity and revenge. Tw: sexual assault.
In Vitro (2019). Dir. Larissa Sansour. Breathtaking short scifi film set in a future where Bethlehem has been destroyed by an ecological disaster and two scientists from different generations are trying to remember what happened. This film is pure poetry and I think about it constantly.
It Must Be Heaven (2019). Dir. Elia Sulieman. A charmingly absurdist film about Elia Sulieman seeing parallels to Palestine everywhere he goes as he tries to make a film about his homeland.
The Crossing (2017). Dir. Ameen Nayfeh. Short film about Palestinian siblings trying to cross an Israeli checkpoint to visit their grandparents.
Ramy. Episode 3 of season 3: ‘American Cigarettes’. Far and away the best episode of TV of 2022, and also directed by Annemarie Jacir. Ramy goes to occupied Palestine to make a diamond deal with some Israeli brokers, but his horniness takes him to The Other Side. I think about this episode almost everyday, it’s unlike anything I’ve ever seen.
Freedom Is A Constant Struggle by Angela Davis. A book of interviews and essays conducted by Angela Davis on how systems of racism and colonial violence are all connected, and how solidarity between communities of colour are vital, using the long-standing allyship between Palestinians, Aboriginal peoples and Black Americans as case studies.
As fine and good as it is to call out Zionism in media, rmr to also support Palestinians, their work and their art. Feel free to suggest more ❤️
